Subject: BTS

Performed: March 18 - March 25, 2021

Original Post Date: March 27, 2021

Video Version Uploaded: September 9, 2021

Spread: Floater’s Club by BlueMoonPunch, extended and altered

Deck: Sacred Geometry Activations by LON, Moonology Oracle Cards by Yasmin Boland, Chakra Reading Cards by Rachelle Charman, Rider-Waite Tarot

Time: 9 hours

Video Version Available

a little introduction

Gonna start this reading off being very real with you guys by letting you know I haven’t done a single celebrity reading since Baekhyun’s Elemental Alignment reading which I did back in March and posted in April of 2020. That’s a whole year, and in that time I rarely did anything with BTS. In fact, I was incredibly detached from all of what they had going on both energetically and externally in terms of their work.

I had a lot of weird reasons for that, but one of them was because of MOTS: 7. I don’t know if you guys remember, but a while back I kept talking about an “album like Wings” coming that would carry similar transmissions and bla bla bla, all that drama, you know the drill. MOTS: 7 was that album, 100%, no question. I don’t remember if I ever posted that little Jupiter swan symbol thing that I had, but there was a whole bit of cosmic foreshadowing that came through that was like, hey, this shit is coming to an end, and it’s wonderful. (NOTE: I didn’t post that, but I did do a mini-reading in February 2020 about the album. You can read it here.)

That final projection, through that album, marked the end, or the finalization of very high aspects of their personal development and their collective (as a group) influence over the progression of the collective. It also seemed to mark the final fracturing of the soul group, which was something I wanted to talk about a long time ago but never did, so maybe that will be a topic of discussion later on at some point.

Basically, this shit made me sad, lol. I love to see things begin and I love to see things grow, expand, and progress through ups and downs, but I absolutely, in all facets of life, hate endings. It’s very specific though, as an ending of a movie or a book where you can picture things moving on further into the future with the same characters and all that doesn’t bother me, but these kinds of hard cut, dead-end, all wrapped up, no more to show endings suck out my soul and leave me hollow for… gee, I don’t know, a year.

I was genuinely very sad that these people that I don’t know at all reached the end of a very significant chapter of their individual and group development and I think it was mainly because their development was very much so tied into mine, and I have no doubt that most of you feel the same. It just had that graduating high school and never seeing your childhood friends again vibe and I spent quite a lot of effort in the first half of 2020 trying to avoid connecting with anything to do with BTS while also desperately trying to cling to what was there before… hence the effort with the YouTube videos and the “2020 notes” on old readings.

Of course, I did catch glimpses here and there of them, hard not to these days, lol. Specifically, Kook would pop up on my timeline on Twitter or Instagram, and then I’d just start crying my eyes out because the little shit is out there dying his hair how he wants, showing off his tattoos, experimenting with his fashion. Like, that is what I always was seeing for him. Not literally with those details, but that, or this, who Kook is now, very much lines up with the Fool carrying the Ace of Wands rather than swinging back and forth between that and the Page of Wands. It just kept making me cry because it was such a visible change with him, I didn’t have to go under for an hour or tap into anything in order to see how he has progressed.

Then, obviously, if Kook got all the way there, it made me wonder about Taehyung with his split-core thing, and then Jimin with the deconstruction and reconstruction of his core, and just everything. Everything, everything, everything. I’m very curious to see where things are now and I feel well enough, I suppose, to reengage and see what comes through.

I will say, however, I might be rusty when it comes to writing for an audience so pardon my dumbass if I don’t make sense or get a bit rambly.

2018 - 2020: Overall Collective Energies and Themes

First things first. I wanted to just start out with a few basic layouts to give us a refresh and a reminder on where things have been over the last few years with BTS on a few different levels. This set here shows the overall collective energy and influences for the group in 2018, 2019, and 2020.

In 2018 there is a focus on the Third Eye, the influence of the Third Eye. This feels more like it is referencing a “soft awakening,” or an initial start-up to a process towards clarity and understanding. I would assume this is more about the initial opportunity for the Soul Body to split which reflected on the individuals subconsciously and consciously as these prompts toward self-awareness, understanding, and in some aspects, liberation.

Following that, in 2019, the main focus is Change and Integration, which seems pretty on point seeing as how all through 2019 all I ever talked about was the integration process of the soul body healing and how it was affecting the body as a whole, the individual cells, and the guys on a conscious level. At this time, the integration was also influencing the soul group and general collective.

Then, in 2020, whilst I was out of the loop, they were wrapped up in Magic. There’s an interesting image in my mind that comes with this that combines elements of The Magician and Temperance from the Rider-Waite tarot deck. Basically, it’s like through 2020 things were happening, things were falling into place, there was a lot of fast-paced external manifestation, but it was all only happening because there was some kind of compromise, some kind of willful alignment between each of them as individuals in a group, and between the group and outside influences, business influences specifically.

The first thing that this makes me think of is Dynamite and how this all-English song managed to be their most popular ever and got them to the Grammy’s. The compromise here is the song itself. It’s hard to explain exactly how I’m seeing this but it’s like there was a bed of personal security that this song sat on, implying that initially, this song was a source of major insecurity within the group. It didn’t fit with the previously established structures, old structures, which needed to shift in order for the song to fit, and the song needed to fit in order for that level of expansion to occur superficially. I imagine, and I think some of us can just tell, that there was probably a lot of discussions initially around this song being released, and I think for a couple of people in the group it was extremely difficult to fully accept it.

I’m literally seeing that discomfort and insecurity of those two individuals as “growing pains,” like literally consciously and physically feeling those old dynamics and structures shifting away from “old sources” and redirecting towards something new and somewhat separate from them. It feels weird as well because it’s almost like there is a lack of structure. There previously was a formula, a specific recipe, a specific intention and manner of execution that was always, for years and years, abided by, but this shift out of that completely levels it to the ground.

It gives me that feeling of a baby leaving the womb, leaving this compressed, safe, warm space of comfort and rapid development and being plunged into this wide open, cold, sometimes polluted space where all these hands and tools are suddenly touching and squeezing, and the baby is just screaming through all of it because what the hell is going on, right? The baby doesn’t like it, it doesn’t feel good to be out of the womb, it doesn’t feel good for the baby bird to exit the egg, but that’s the only way it can continue to grow.

Anyway, that’s where things settled off in 2020. I’ll be looking at the overall stuff for 2021 with the main reading.

2018 - 2020: Points of Individual Development

With this set, I wanted to focus more on the individual elements of development, like what they were collectively, as a group, being guided towards for the sake of individual development if that makes sense. It’s the same as the previous set showing the progression from 2018 to 2020. With this there’s is a pretty simple image that comes to mind of someone plugging a computer into the internet. 2018, Inspiration, is like looking for the port to plug in. 2019, which has Flexibility and Communication, is the instance of actually plugging in and starting to download information or “programs.” Then, in 2020, with Spiritual Awakening, there is a “download complete” and “program running” kind of vibe.

This is incredibly simplified and dense with information, to the point where I have no idea how to actually break it down, but quite literally, it’s just referring to a lot of stuff that I’ve talked about a million times in other readings. Inspiration suggests a mini-awakening, a deeper push or pull towards seeking out a higher connection. This is more internal, not really crossing past the subconscious. 2019, with Communication and Flexibility, lines up with the integration process in the sense that it feels more physical, a bit more like something is taking form here. I kind of want to relate this feeling to the rapid rate at which cells start to divide at conception where things are literally starting to take form, but are not actually forming anything just yet. Then, of course, 2020’s Spiritual Awakening could be equated to the birth of a new cycle following the death of an old one. It’s full, complete, embodied, and taking on a new form.

The image of Spiritual Awakening is a good representation of how things are literally exploding out in terms of the energy on multiple levels. On one level there’s the aspect of the soul body completely undoing itself and allow the seven individual souls to take full form and progress on their own. Then on another, it’s about this outward reaching from them as individuals, similar to the seeking of Inspiration, but it doesn’t feel so much like any of them are grabbing blindly and stumbling around in the dark. There’s much more definition being applied to what they as individuals are pursuing, and this reflects in an interestingly more stable and “mature” dynamic in the group, at least in terms of how things are presenting themselves energetically.

2018 - 2020: Points of Conscious Integration

This last set here covering the previous three years focuses more on the conscious integration or the noticeable, more superficial effect or process that we as an audience may have been able to pick up on in relation to higher aspects of their progression.

In 2018, they have the 9 of Cups which feels very representative of the aspect of being called to something or being baited into something. The Cups in the image, the dreams, goals, accomplishments are full of water at this point, not in full form, and then sit on the other side of this man who, in this context here, seems to guard them or act as a gatekeeper. It shows specific goals being set, but also the potential struggle, a very physical superficial struggle. The best way to look at this is that at this point most of their collective goals and dreams were still just dreams, they were not physically tangible at this time, but the obstacles, as represented by the man in the image, were. There was active progression here, but more of it was very zeroed in on the struggle in front of the end goal.

This is kind of interesting because if you think about this in relation to yourself or just any individual, this would probably be a very stressful time, one in which things can seem very hopeless as, quite literally, the obstacles along the way hold more weight than the projected outcome. At this time I know there were a lot of struggles happening within the group collectively and on individual levels, as well as some nonsense within the industry around them that bled into 2019.

In 2019, with The Hermit, in relation to Communication, Flexibility, Integration, and Change, there is this major detachment from a lot of what was being focused on in 2018 mentally. Or better yet, there was this aspect of isolation individually. So, there’s potential to a dynamic where, as a group, they were very much in it together, everyone held their part and played their role, contributed to the upkeep, but there was another part of themselves starting to observe individualistically from a higher perspective, literally mimicking the perspective of The Hermit. This process, as I remember, was showing up a lot for them, but it varied greatly for every member in terms of how clear that perspective was, how long they could hold that perspective, and how much faith they actually had in that perspective.

There’s a lot of echos of something that I talked about once upon a time regarding some of the members being very aware that they were being manipulated, used, and taken advantage of within the industry while some others were more ready to believe in the opportunities that these people supplied them. This was not out of ignorance or blindness, this seemed like it was more out of fear of losing what they had built or missing out on what could come next. I think I mentioned before as well something about things becoming so massive that even people in the company, like Bang PD, started trusting outside sources more simply because the success felt too big to handle, too fragile, and it ended up actually doing a lot of good superficially, but causing a lot of chaos internally for the guys. This, I know, affected creative processing and aspects of self-expression for members who usually were very good in those areas, while it had the opposite effect on others, or liberated those that were usually a bit more toned down or insecure.

It’s actually kind of interesting, I haven’t seen it visually depicted like this before, but what I’m seeing is that this related to pressure and reliance. As in, for example, Namjoon was mostly in charge of the writing and creative expression, for the most part, he was very comfortable in that control even when it was stressful, so when other people are brought in, he imploded a bit, maybe lost some confidence in his own ability to “bring what sells.” Whereas, someone like Kook, who was a bit more toned down, in the background, subtly peaking his head in every once in a while with creative aspects for the group may have felt more comfortable because there wasn’t so much pressure on the group, on the individuals to offer something that sells, to be the product. Other people are handling that and can professionally work around the image, which gave him more room to be creative and start expressing himself fully as an individual.

It’s this interesting crossroads between work and professional image versus creativity and how they see themselves. The fact that Kook and Namjoon were the ones showing up for this hits different too because they were the ones that were meant to “trade places” throughout the integration with Namjoon becoming more internalized again while Kook became more outwardly projected. That’s literally what this was showing, and I don’t know about Namjoon too much at this point, but I think we can all agree that in the last year or so Kook has really started expressing himself more authentically and finding a lot more comfort in doing so compared to previous years.

2021 - 2022 Overall Outlook

[March 20, 2021 - March 27, 2022]

This set here covers a very condensed overview of the higher influences or guidelines that will be affecting the guys from Aries Season of 2021 to Aries Season of 2022. Everything here feels very big, clean, sharp, and sweet. In terms of the integration being complete on the previous phase, the Merkabah really presents to me this confirmation of the fact that as individuals they are all currently in alignment within the layers of consciousness, and are actively working within the realms of higher guidance. They have more conscious level access to their own souls and Higher Selves. Does that mean they’re all directly communicating with their higher aspects? No. However, it does mean that there is a lot more incentive to trust instinct and intuition, to seek out personal fulfillment, and to simply move with what is handed to them.

In terms of their career, as a group, I see this kind of detachment or less involved processing when it comes to the overall product that is given to the audience. By that I mean there may be a continuation of or an amplifying of backseat artistry where they themselves are not spearheading every project, but instead acting as collaborators under their own name and product. There is much more focus, however, on individual representation, which comes through with Universal Love. It feels like there are more personal efforts made to connect with each other as who they are and who they know themselves to be outside of WORK, and then doing the same with their audience.

There is still a lot of movement but a lot of progression, as shown by Magic, but it’s more so being maintained, moving along the same track that it has been since last year, no major changes in regard to work or how they work. At least not anything that is currently planned. With phases that are this self-guided and self-focused, there is always room for something to just go flying off the walls and making a sharp left turn along the way simply because someone gets bored and wants to try something new, lol.

2021 - 2022: Kook’s Personal Outlook

This is so annoying, I was all on about him being in his Fool and Ace of Wands vibes and here he goes with his Page of Wands nonsense again. It’s pretty straightforward though, very simple, and seems to be just a bit of back-stepping that may or may not be part of a cyclical mental process that he has in relation to tackling more self-directed progression. The two cards on top show an overarching plan or inner project, a prompt that will be worked on over the next year within the layers of consciousness (conscious, subconscious, and unconscious). There he has the Waxing Moon which says, “the energy is gaining momentum,” and the First Quarter Moon which says, “Your commitment is being tested.”

Right away, as soon as I saw the First Quarter Moon I felt it as Kook’s commitment to himself being tested. His commitment to his own authenticity and self-expression is being tested. This is related to the Waxing Moon, the energy that is gaining momentum, the sense of expansion, and growing that he may hold consciously or subconsciously. Basically, he is very much in his Fool/Ace of Wands mode, but he still has this insecurity around knowing what is right and what is wrong, what will yield the best results for everyone, and that is where the test is. What is he going to prioritize in the long run? Himself or the audience?

The Page of Wands, Kook, stands there on the left looking a bit timid and a bit grounded as he stares on at the mental decision being made by the 2 of Swords. The choice is between the Ace of Cups and the 10 of Cups, or his cup and the cups of everyone around him. The Cups imply that this is more so related to internal, emotional satisfaction, a sense of fulfillment, and not so much related to displayed products or images. So, there could be a lot of stability and certainty in that regard, in regard to his outward expression and focus, but there could be a question of how far can he actually push it. How far away from the audience's consideration can he go without feeling like he’s cut everything off and abandoned people?

The more conscious level effort here is going to be put towards making decisions for one over the other, but the real goal is to find the balance between the two, finding a way where his own fulfillment becomes the fulfillment of others. Kook, I believe, is still one of those people that can really zero in on negativity and I think that has to do with his everlasting focus on time and creating memories. I’ve talked about it before in some of his other readings. He can be so transfixed by a singular moment, be absolutely ecstatic, but at the same time be overwhelmed with dread at the thought that the moment really is just a moment and it will be just a memory, and eventually, something forgotten by everyone involved.

Basically, he’s very sentimental and he wants a legacy. He wants to know that he did good for everyone, including himself, and that’s where the struggle is. Who’s cup does he fill now? If he fills his own will he just have to pour it out into the cups of other people to make up for it? What is it? How does this work? What’s the right thing to do? What’s going to leave him with the least regret when this is all said and done?

Those are the questions running through the Page of Wands’ mind and these questions alone, this uncertainty and this lingering sense of obligation are enough to pull him back down into that lower state where he is looking to other people to give him the answer, or at least he’s hoping someone will offer him an answer. Overall though, I do think that he will stay self-guided in spite of the fact that he’s still holding onto a bit of that insecurity. I think it is one of the lessons here for him to answer his own questions on that level.

Do keep in mind though that the phase is prompting a test towards his commitment to himself, so if he were to completely sacrifice himself for the sake of providing an image that the audience wants, he will fail. However, if he either finds balance or completely puts himself as number one and dedicates all energy and attention to his own fulfillment, he will succeed and have a much smoother ride forward. I think it’s kind of obvious that if anything, in terms of succeeding, he would probably try to find a balance between the two where he can be in a position where watching him fill his own cup is enough to keep the audience satiated.

2021 - 2022: Namjoon’s Personal Outlook

This is quite a heavy set, but it’s not anything negative. When I was first getting into his energy I saw only one image come through and that was Namjoon’s face, eyes and mouth open, with static buzzing inside them, like TV static. It was actually kind of creepy and felt very void and empty, but at the same time overly-stimulated and tense. This visual I had then bled into the top card there, the Full Moon in Virgo which says, “you are good enough.” When I first read it I saw it as, “you are whole,” and that sentiment stuck with me while I was reading the rest of what came out simply because the entire phase over the next year is about getting him to a place where he can feel complete… implying that right now he feels incomplete. Void. Empty.

The 7 of Cups, which was then followed by the 8 of Cups, really carried a lot of that initial heaviness. Basically, what’s going on there is that there’s this sense of Namjoon being “out of purpose” or as I was hearing it, “out of a job.” He did so much for so long, followed a very specific routine or mental process that is no longer necessary and he just doesn’t know what to do with himself. There’s this internal struggle to find a rhythm again that gives him the same sense of purpose or necessity.

With this, there comes this overwhelmingly clear outlook, as in, it seems like the person in the 7 of Cups is looking up at future moments in their life, they are seeing their future play out in front of them, nothing left to be surprised about and nothing to get excited over. Because of that, you get the 8 of Cups where the man walks right on by the cups, right through these moments, and feels nothing for them because he’s already seen what they are, it’s all very predictable now. If I had to really throw personal interpretation in the mix it does seem like because other people are more in control and because so much of what he wanted to accomplish has already been achieved, there’s just not a lot of variety to what can be done from this point onward. Everything just feels very plain and played out.

Going back to what I said earlier about Kook and Namjoon trading places, this does put Namjoon in a state where he is way more internalized and is being prompted to rediscover himself within this new context, or new being. There’s a struggle for release subconsciously, but this will be interpreted consciously as a need for stimulation. He will struggle with understanding that what he is “missing” is not something external, it’s something internal and may have a lot of frustration built up from that over the next year.

The real lesson in this though is interesting because it’s like learning to read between the lines of your own soul. The prompt is for him to understand that he is whole, that he is complete, but being “complete,” as in being finished with a certain phase of his life, is what makes him feel so incomplete and empty. If we break that down a bit, the lesson is within the idea of understanding that completion within itself, within phases of life, is not symbolic of void, or there being nothing left to do, it is more or less liberation from obligation. He, on a conscious level and on a higher spiritual level, has completed what he needed to do and has an opportunity to do what he wants to do purely for himself, and that seems to be an issue for him.

I think he might be pulling a Taehyung here where what he’s looking for (which is literally just a deeper part of himself) can’t be accessed through mediums that he’s already worked with, it would have to be something outside the box, something that would match up with the aspect of liberation.

Basically, he won’t find the answers in the process of writing and producing music as that is connected to a previous phase.

2021 - 2022: Jin’s Personal Outlook

This was very exciting to see for Jin as it really calls back to his soul purpose, specifically in relation to the whole him being able to see, understand, and balance connections between people. I don’t know if you guys remember when I talked about that with the Soul Body, but Jin and Jimin acted as counterparts in terms of how they work with other people. If you think of two dots being connected by a line, Jimin governs balancing what occurs within the dots as separate individuals while Jin governs balancing what occurs within the line between them. Those dots would be people and the line is their relationship.

The overall influence, the prompt for Jin comes through with the New Moon in Aquarius which says, “bring love into the situation.” Bring love, bring understanding, bring trust, bring compassion, bring consideration, and most importantly, bring balance. This is so spot on to the Universal Love thing as well, that collective effort to connect with each other and connect more personally with the audience. Whether it be more conscious or energetically, this will in fact be governed by Jin.

As an individual, however, this is even cooler. This whole thing suggests that he will literally, very consciously be enacting his soul purpose, it could be something that we would see very visibly as it develops over the next year, which would just add to what we have been able to observe from the end of the integration process. Again I say, very cool.

In those bottom cards, there is The Emperor in the very center, very focused, very grounded, and very much so in command. On either side of him, he has the 2 of Cups and the 2 of Swords. The 2 of Cups is literally about relationships, equal partnerships, emotional understanding, compassion, and consideration that we hold for other people. The 2 of Swords is oftentimes about decision making and balancing the mind, coming to compromise mentally within yourself. Both of these cards are about balance, the balance of the emotional and mental space between people. It’s like Jin could literally start outwardly teaching people how to hold compassion for other people and to think critically about how they actually go about interacting with others. I really feel like The Emperor is sitting there like, “Okay, I’ve had enough of your bullshit. THIS is how you talk to people, THIS is how you show you care, THIS is how you make positive changes socially, THIS is how you express your opinion without coming off like a dickhead.”

Something I saw for him involved his enlistment as well. I don’t know when he’s supposed to enlist, I heard at some point the original end date was pushed back or something, but I assume it’s not too far off. I was seeing a lot of this effort towards creating neutral ground, or acting as neutral ground himself was for the sake of creating connections between people, within the group and within the audience, that would be able to hold themselves up without him having to be there to maintain them. It’s like over the next year he’ll be in training, learning to really talk to people about this kind of stuff, being more realistic about things in relation to how people treat each other and how people should communicate, and then over the following year or so he would actually do it. It would be very direct and he would contribute to creating certain standards for communication that allow for more peaceful interactions where the mental and emotional space between people can remain intact and in balance.

Again, it’s quite literally his soul purpose being conceptualized into a plan of action in the conscious mind over the next year, year and a half. It’s really fucking cool.

2021 - 2022: Hoseok’s Personal Outlook

This is some conflicted Aquarius shit like I don’t even need to take a long time to explain this. The top prompt for the next year is for him to get out of his comfort zone as presented by the North Node card. This has a lot to do with business, career, creative expression, innovation, and just him as a person all colliding into this big tangled mess, as you see there with the 5 of Wands in the center. In very simple terms, there’s a struggle or there could be a struggle between creating something authentic within the guidelines of what sells now in the current market and creating something that is purely innovative, way out of the box, very much him. That is what is shown there between the Ace of Pentacles (money) and the Knight of Swords (action towards innovation).

There could actually be some activation within his own North Node with this, which could put pressure on the drive to push forward and be more authentic, be more open which is a struggle for him. There’s a lot of mental and emotional turmoil that can come from this that he may shove down or push aside, but for the most part, I think he would approach this very clinically and probably arrive at the best conclusion nonetheless. He’s literally done this before, like this exact same thing, I’m going to assume that was one of the reasons he took such a long time with his first solo album, it was that conflict between what sells and what is authentic to him. Same thing, but just a bit more meat to it this time around as it feels like it could define a bit more than an era of music for him.

2021 - 2022: Taehyung’s Personal Outlook

Really gotta talk about this one, lol. So, first off, when I was getting into his energy I was surprised to find that it was actually pretty easy. Then came the visuals, which I was expecting to get a lot of if I actually got in the flow here, but I was not expecting things to look the way they were looking. Compared to what his core, or energetic space more likely, looked like before, this was way, way different. There wasn’t a lot there but at the same time, there was. It was very condensed. Visually, I saw neon green eyes and then a whole bunch of black snakes that glowed with neon green lights.

Spooky, as always, however, this didn’t actually feel scary at all. I literally pulled out of it and I was so skeptical because it seemed so performative like previous readings I had done for him, but it just felt so different. Then the 9 of Wands came out and I was like, yeah okay, that’s expected. Then the Hanged Man, and I was like, oh, that’s interesting. And the Temperance came out and I nearly broke my chair from getting up too fast so I could punch and kick at the air because bitch that split and broken core ain’t split and broke no more.

*proceeds to throw an astral party in honor of Taehyung’s soul*

Well, wait. No. I mean, technically yes, there is absolutely no split or tear or any creepy-ass overpowering ego monster lurking in his core anymore, but the structure overall is still extremely new. Like it’s a whole ass thing that he’s going to have to integrate again, but this is an amazing place for him to be compared to where he was before or the last time that I read for him.

For the cards, the influence for the next year is the New Moon, which just says, “a new start is coming.” This is very literal. His core, his soul, has experienced individual healing and restructuring separate from the Soul Body healing and integration process. Now, that aspect is then going to have to integrate into the layers of consciousness, but it is clear enough that it, I assume, is already having an effect in terms of intuitive self-guidance.

More specifically, this current influence of this new and restructured core state could be directly influencing him through aspects of The Hanged Man which sits in the center of the lower cards. This is all about new perspectives and finding those new perspectives within moments of deeper contemplation or stillness. Basically, it feels like he could be pulled inward a lot and I keep seeing this as being in relation to pondering on what he wants to say and how he wants to say it, what he wants his image to be within a new context, and then from there going deeper and deeper. I know he’s been working on music, so with that in mind, as an example, it would be the process of him writing and all of that, but more so it would come from him doing solo interviews or talking to fans on a live stream about his music, figuring out how he wants to explain things. And within that coming to understand himself and how he’s changed, how his perspectives have changed, or how there are new perspectives to consider. And then once he’s there it would just kind of snowball and everything would fall into place.

The 9 of Wands is pretty straightforward as well, showing paranoia and unease following a time of pain and instability. This is purely related to his layers of consciousness as separate entities literally not knowing the core, being severely unfamiliar with those higher/deeper aspects of themselves, and potentially creating anxiety or tension within the conscious mind and body as a result while they integrate.

This was reflected in the general projection of this space. It’s kind of hard to explain it, but it was like there was the core, then there was the “waiting room” around the core where there was just this hum of energy emanating from the core. In the “waiting room” the energy felt very chaotic, it was connected to the visuals of the snakes and the green eyes. It was very condensed and pressurized, very bumpy, but it wasn’t lashing out as if it had nowhere to go. In other words, there seemed to be a method to the madness internally, but it would still register as internal chaos which is what the 9 of Wands is picking up on. This would be more connected to the subconscious, whereas The Hanged Man would be connected to the conscious.

Temperance is the unconscious mind. It is the actual hub in which the integration process of this new core state is actually taking place. It literally feels like there is this eagerness to get this ball rolling and to reconnect. It’s kind of funny actually because where the subconscious mind feels like the core is this scary hellscape of chaos, the unconscious mind is looking at an old friend that they’re excited to start hanging out with again. It’s literally balancing and reconnecting the core with the subconscious, which will then act as a bridge between the conscious and unconscious mind. This is the process overall that will be taking place over the next year for Taehyung.

Another thing that I wanted to talk a little bit more about with this was the openness of his core. I was sitting with it for a while because I wanted to understand the differences between what it was before and what it is now and it’s actually really interesting. Taehyung’s core was open before, but not in the same way that Jimin and Kook’s cores were open. The best way I could think to describe it is that Taehyung’s previous core was open the way an abandoned building is open. It’s a solid structure but the doors and windows are broken and missing. Anyone can get in, but what you find could depend mostly on what you’re looking for. Now, his core is open like a giant ball of cotton. Strange leap, I know, but let me explain.

If you imagine a giant ball of cotton, like this massive mountain of cotton, a lot of people would see it as being very inviting. It’s soft, it’s warm, you want to hop inside of it and have a nap in this makeshift cloud. However, when you actually do that, when you go inside this giant ball of cotton, it’s actually really heavy, you can’t move around very easily, it kind of squishes you into place. If you try to move around a bunch, it just squeezes you harder, but if you relax and just kind of exist in the space, no intention of really giving or taking anything, it’s soft and relaxing. That’s Taehyung’s current core.

I was wondering why it was even like that, what’s the purpose of this odd and intentional pressure, and then I realized this literally self-control. That’s how he protects his internal space. He’s actively attempting to make outward connections by having that open core while still maintaining boundaries within this period of transition via applying pressure to anyone who enters his space. I assume he’d probably keep those qualities as time goes on, but that seems to line up a lot more with what I interpret Taehyung to be like on a conscious level. Very open to people, but has a certain guard up to let you know you’re not getting as close to him as you think you are. It’s very interesting and I’m very eager to see how this plays out for him and if there would be any noticeable changes to his way of interacting or communicating going forward.

Side note: Best Friend Beth pointed out that the neon green black snake thing could be related to rebirth as the color green itself is related to fertility and growth, while Snakes are associated with the cycle of rebirth. Something interesting to consider.

2021 - 2022: Jimin’s Personal Outlook

This is exciting to see as well especially when you consider where he was on a soul level with the last couple of readings I did for him (Jimin and Kook’s Relationship Reading P2 + Jimin’s Internal Alignment). The first thing I wrote down when I had all the cards laid out was “potential activation of life path 11,” which is just so fucking epic for so many different reasons. One, it shows that there was strong development and progression from the previous state. Two, it shows that Jimin, on a soul level, did successfully detach from the others. And three, this could mean Jimin is about to POP OFF in ways we can’t even fathom fully.

The top card, the little prompt for progression of the next year for Jimin is the Full Moon in Taurus which says, “your dreams need a practical plan.” This is something that is displayed step by step in the cards below. The 4 of Cups is the moment of contemplation and intuitive pull on a conscious level, an aspect of divine inspiration. If he were to follow that and hold onto it, he would enter the state of The Lovers where the layers of consciousness are displayed in full alignment. The angel in the image is the unconscious mind, connected to the Higher Self and the soul, which communicates directly to Eve who is symbolic of the subconscious mind. Eve then relays the information to Adam, the more superficial and grounded conscious mind who can not directly perceive the angel.

From there, he would move into The Star, which is associated with Aquarius, the 11th House, number 11 popping up there for fun. This is showing direct manifestation and creation contributing to innovation and change. Just as the image suggests, Jimin would be “making waves,” which could imply causing some ruckus in the industry, making hefty moves with his own music or artistry in another area, or just doing something that just triggers change. It’s so very specific and sharp, but not clear at all at the same time what this is referring to, but it’s big. At least, for Jimin, it will be big.

So, over the next year, there could be a lot of interesting developments for him, there could be some outside opportunities even that could come in for him, but mostly there’s just a lot of emphasis on creation and initiation, literally creating change, being a catalyst for change in some way. It’s very deeply rooted in the soul, very in-tune with the Divine Feminine, and it almost feels like there’s a full integration of the soul, or at least there could be by the end of this specific phase, which is incredible to think about in terms of what that would look like in the overall picture of Jimin on a conscious level and his progression and development, seeing him come into power and recognize his capabilities and influence beyond being part of a group.

2021 - 2022: Yoongi’s Personal Outlook

Mr. Pisces Man Min Yoongi is on some Pisces shit again. This is actually kind of neat because when you just look at things on the surface, it comes off like a personal spiritual journey, or a journey to reconstructing or building up spiritual and philosophical understanding based on understanding the world around you and beyond you. Again, Pisces shit. If we were to kind of ground that down to something more simplified, it comes off like someone dropping acid in order to unlock creative potential, in order to create something out of this world. It could be a little of both actually — replace acid with spirituality and create something from there, wouldn’t be much of a difference, lol.

The top card is the Blue Moon which says, “believe in the impossible,” and this is directly linked to The Hanged Man here. The Hanged Man, which is Pisces’ card, by the way, acts as a looking glass, literally a port for Yoongi to very consciously engage with and look into something that could be perceived as “impossible.” You can all make your guesses on what that could actually be because I don’t have a clue. It’s very out of body, very out of mind, and very, very out of this world, beyond this world. It’s just so wide and not in any kind of perceivable form, but Mr. Pisces Man is going to be out here wiggling his toes in it for fun.

From there, he pulls it down, literally yanks these 7, 6, or 5D blueprints down into the conscious space with that Ace of Swords where it’s conceptualized into something tangible. In my mind, I think of how scientists can apply mathematical equations to explain black holes or the theory of relativity and whatever else. You know, things that are so hard to grasp but can be compressed into these simple equations.

Then, after that, boom, there he is like the Queen of Pentacles holding the physical product. He literally is going to yank something down from another dimension and then turn it into something he can physically hold. Why? I don’t know. This could literally be a very overblown, overdramatic process of writing an album and we won’t see any of this play out at all, it will all just happen within Yoongi without anyone ever knowing. OR he could just collapse the universe for fun because he can and he’s so over humanity, and honestly, if he did, could we blame him?

But yeah, it’s kind of in a similar vein as Jimin where there is this high reach, granted Yoongi may be reaching a little bit higher, for something beyond them to pull into physical reality in order to create something, to initiate something, and it’s all reflective of soul desire, the effort towards soul fulfillment. For Yoongi, this does seem way more personal though, something he may not put out into the world so directly whereas the whole point of Jimin’s phase is to affect the world directly in some way.

2021 - 2022 Monthly Outlook

[April 2021 - March 2022]

April 2021: Knight of Wands

May 2021: The World

June 2021: The Chariot

July 2021: 9 of Wands

August 2021: 3 of Pentacles

September 2021: Ace of Wands

October 2021: Knight of Pentacles (rev.)

November 2021: The Hermit

December 2021: 6 of Pentacles

January 2022: 2 of Cups

February 2022: 10 of Swords

March 2022: The Wheel of Fortune

So, for the final bit here I just wanted to do a regular ol’ outlook spread for the next year, covering the timeframe of April 2021 to March 2022, or Aries Season of 2021 to Aries Season of 2022. I tried really hard to keep this as superficial as possible, to have it be more focused on things that we may actually see play out with their work and so on since that’s a bit more fun and we already have some general outlooks for their more personal progression. As always, solid disclaimer, nothing is ever set in stone, there are so many factors at play when it comes to how things play out in the 3D human experience when you have billions of people all trying to navigate the same plane of existence with free will in their back pocket. Most of what’s here is purely based on the current route they are on assuming there would be no detours or pit stops along the way.

April, May, and June look pretty solid, very positive, forward-moving, and electrified with these charged-up representatives being the Knight of Wands, The World, and The Chariot. Together these cards gave me a three-frame film of a rocket ship launching in a fiery explosion, then stalling in orbit, just kind of sitting for a minute, and then blasting off again in a secondary takeoff that was meant to send the ship into another galaxy. The Knight of Wands is the first launch from the ground into orbit. The World is this sort of stasis where there’s not a lot of movement, but there’s a lot of fulfillment, almost this feeling of taking a moment to sit back and celebrate a successful launch, admiring the view of planet Earth from where they are. Then, The Chariot is the secondary launch from orbit out into deep space with a clear destination in mind.

So, they could be working a lot at this time, and I did literally just see yesterday that they put out a teaser for a new music video, which I assume means a new album? So, that could be the take-off in April, a lot of movement there, probably some kind of promotions and whatnot. May holds that stasis which could still involve a lot of work for them, but maybe something more behind the scenes, or maybe this is more about literally watching this new music coming up in the charts, do well, literally admiring that success while they work on more stuff behind the scenes. And then, in June that’s the secondary take-off, which could relate to more releases, more work, more promotions, or maybe other projects that expand past the music.

July, August, and September is kind of a weird vibe because it feels very focused on stuff behind the scenes in the realm of negotiation, compromise, collaboration, and new stuff being brought to the table. The 9 of Wands there is the most concerning because it immediately put me back in that old vibe they had within the group before where there’s skepticism around outside people coming in and having control over things, or some of them just not being completely on board with what the company wants to do with BTS as a brand. That does, however, seem to lead into the 3 of Pentacles where the business negotiations happen and I would assume with the Ace of Wands there that it is meant to meet some kind of compromise or equal ground.

I will say that these three cards, these three months are fused together, so this doesn’t feel like a step-by-step process the way the first three months did, it’s more like all three of these influences will be governing all three of these months. That could mean multiple areas of negotiation and maybe some in-house tension around how to proceed with certain things and so on.

Also, I want to point out that there is this feeling of compromise being found with the group, or someone in the group, handing something off. The 9 of Wands shows the man, in this context, protectively holding onto his one wand as if he’s afraid someone will take it from him. Then, after the negotiation, the Ace of Wands is more so representative of that wand inevitably being handed over. It’s a hard decision to come to, but it does in fact carry that spark, that initiative quality of the Ace of Wands, implying that it would be a new start to the overall brand or it would be just the start of a new project or business venture. In reference to other things that have come up in the reading, the Wand itself could be referencing personal control and power within the group.

Compared to the first six months, which are pretty charged up and involve a lot of Fire energy, the last six months are much more grounded and somewhat weighed down until it hits that point with The Wheel of Fortune in March of 2022.

Following this potential relinquishing of power and initiation of a new project, October is governed by the Knight of Pentacles, which is the only card that came out reversed. It’s pretty interesting because the reversed Knight of Pentacles is quite literally all about feeling stuck or out of control with your work or something you are trying to pursue. It can carry this dull hum and again if I were to throw personal interpretation out there, it literally feels like when they or someone gives over control, they literally have nothing to do, or it feels like they have nothing to do, so they’re just sitting there in that dull hum. It feels kind of bored and detached for the whole group. There’s still movement there though which is interesting so they’re probably definitely still working, but it’s more of the superficial stuff, not a lot of behind-the-scenes control and influence, at least not what they are used to.

This detachment does however lend to the upcoming Hermit which holds influence over November. The Hermit still holds that very grounded, somewhat unmoving energy, but it marks a point where that boredom implodes and things become more stimulated internally or between the guys themselves. Some of them could use this time to work more on solo projects or release solo projects if they haven’t already before this time. There’s some personal fulfillment within this energy for all of them together.

The 6 of Pentacles in December is kind of weird, I don’t like the vibe of it, it feels gross and annoying. It reflects the 3 of Pentacles as if the 6 of Pentacles is its direct outcome for the guys, and it directly links up with the Ace of Wands for this odd comparison. Basically, it feels like they get very little in return compared to what they actually gave up or handed over with the Ace of Wands that it literally looks like charity. There’s literally emphasis being put on the fact that BTS started with 3 and then together both sides ended with six collectively, meaning that BTS would get 3 and the company or whoever would get 3… but BTS gave them 3 when they gave them the Ace of Wands… does that makes sense? Basically, there’s no discernable profit for BTS.

Whether or not that actually pertains to money is up for debate, but Pentacles do usually concern business and finances overall. It could relate to resources overall, what’s being provided for them by the company or by these business partners. It could be about investments bottoming out on their end, not the company’s. Could be anything, but there is that feeling of questioning whether or not it was worth it in the long run and if they got the most of the situation.

The last three months have this sad energy to them because the 2 of Cups there in January of 2022 feels like an introduction to an end, which is literally what follows it with the 10 of Swords in February. There’s this mournful, depleted, kind of depressed energy to the 2 of Cups that I wouldn’t normally associate with it, but it’s so in my face that it’s hard to ignore it. It literally feels like they plan on disbanding in February, so they use January to give back to fans, to put out a lot of content, a lot of nostalgic, sentimental type stuff, just non stop, but then in February we do get that ax with the 10 of Swords. No, I don’t think they’re actually going to disband, they have their contracts and shit to fulfill, but that’s kind of the vibe. It feels like a farewell or a parting gift that proceeds the finality of the 10 of Swords.

Following the 10 of Swords, which signifies a complete end, a complete death to a certain reality, the Wheel of Fortune comes in in March, around Aries Season, to initiate a new cycle entirely. This could mean a lot of things as well, and I would assume none of them involve disbanding. It’s a new system, a new refresh of work. It feels way more organic as well, almost like they’re forced to evolve in some way, create a new structure, system, or routine around a new mode. It’s hard to explain it exactly. Again, I don’t know when Jin is supposed to enlist now, but that could be something that this relates to in terms of spending time giving a farewell, having the actual end to a certain dynamic or structure, then being forced to evolve around that missing piece.

The only thing with this is that it doesn’t feel like anything is going anywhere, it doesn’t feel like something is fully dispersing into nothingness, it just feels like a change so big that it would be hard for either them as the group or us as the audience to recognize what is there after the reformation of the Wheel of Fortune.

That’s all I have for this one, thank you for reading! :)

BTS OT7 2021/2022 Outlook Reading